Symptoms and Treatment of Bronchitis :: Health Medicine

Symptoms and Treatment of Bronchitis Bronchitis is the inflammation of the bronchi. It may develop suddenly, following a head cold (acute bronchitis), or it may persist or return regularly for many years, causing progressive degeneration of the bronchi and lungs (chronic bronchitis). Certain people are more susceptible than others; Men are more of a target to bronchitis than women, out numbering them 10 to 1 cc the reasons are unclear. Of course smokers are 50 times more likely to get chronic bronchitis than nonsmokers. Acute bronchitis is a bacteria or virus infection, often following a cold smoking. People who have acute bronchitis usually have a mild fever, soreness under breast bone, irritated by coughing. First they have a dry cough then the cough later brings up green and yellow mucus. The cough may persist to 4 to 6 weeks. Chronic bronchitis is produced by other chronic problems: sinusitis, smoking, TB, etc. The Bronchi becomes thick, inelastic, and accumulate mucus and pus in lower part of lungs instead of bringing discharges up and out. The result is chronic cough, shortness of breath, sometimes spasm, and frequent infection. In acute bronchitis, the basic symptoms are a head cold, fever and chills, running nose, aching muscles and possibly back pains. This is soon followed by the obvious persistent cough. At first the cough is dry and racking and eventually becomes phlegmy. The persistent cough is worse at night than during the day, and when the person breathes in smoke and fumes. The main symptoms most recognized in chronic bronchitis is, again, a cough, with sputum, often occurring in paroxysms. Other symptoms in chronic bronchitis are dependant on how much, or how little, emphysema is present. This disorder causes the lungs to become overstretched, making the breathing process difficult. The chronic bronchitic with no emphysema tends to be overweight and often has a bluish tinge to his or her lips due to lack of oxygen. Shortness of breath only occurs during exercise and other strenuous activity. The bronchitic with a great deal of emphysema, who has lost a lot of his or her oxygen cc exchanging ability, due to the condition, is short of breath at all times. The bronchitic with emphysema very often are underweight and, as the disease comes worse, develops a barrel chest. The Chronic bronchitic also wheezes because of the obstruction. NOTE: Emphysema is a state of overdistention of the tiny air-containing sacs of the lung. The cause of bronchitis are from viral or bacterial infections which spreads to the chest.

A Brief Analysis on the Film King of Masks

The film King of Masks deals with and challenges the feudal idea that men are superior to women; this ideology, as the film portrays, results in alienation, tragedy and bitterness for girls in Chinese society and particularly the protagonist Doggie. In contrast, out of darkness, corruption, and poverty, the goodness of humanity and the human love sprung up from the master-apprentice relationship between Wang and Doggie will ultimately reign over narrow and backward traditional notions.Evidence that everyone desires a boy can be found throughout the film. In fact, preference for boys over girls is not just a fad but rather deep-rooted in Chinese society. Feudal ideas that men superior to women is embedded and prevails in Chinese culture as early as the end of the Spring and Autumn Period (770-476 B. C. ) during which Confucian teachings advocates and fosters gender inequality (Jiang 229). Under influence of Confucianism, women are given low status and expected to be obedient to husban d.This produces a sequence of expectations for men and women: men are expected to work outside and support family living while women only stays home and take care of family and household. This is also the reality in King of Masks, in which almost every man has a job: Wang is a street performer; Master Liang is an opera performer; Wang’s friend is a liquor dealer. However, the occupation of women is not clearly revealed. Notable examples are the crowds of women joining the parade and women from TianCi’s family whose main role is taking care of the child.It is worth noting that Master Liang plays as a female impersonator. Despite its name, a female impersonator is played by a male in traditional Chinese opera because women are believed to corrupt men on stage and thus banned from performing (Johnson 380). The storyline of the film is triggered by Wang’s quest for a male heir to pass on his secret ancestral art of BianLian or its literally meaning of changing faces . In Wang’s conversation with Master Liang, he firmly states,† only a son may inherit [the skills]. It is an ancient rule. In fact, only son has the right inherit property including all Chinese secret skills and medical prescription. Also, in Chinese tradition, boys are expected to carry on the family line and occupation whereas girls leave and separate from the family after marriage. It is then not surprising that Wang worries that his secret skill may leak out and insist on passing it to a boy. The gender inequality that feudal and Confucian ideas bring about and gender biased Chinese traditions underlies the cruelty and unfair treatment from which girls and particularly Doggie suffer.In the opening scene, the background music immediately creates a strong sense of melancholy and sadness. As Master Liang boldly admits that â€Å"no one values girls†, the society undeniably treats girls harshly. In the back alley black market, desperate parents beg to sell their daughters for very little value and yet still no one wants them. The fact that Wang paid ten dollars for Doggie is because he craves for a boy. When Doggie confesses that she was abused and sold seven times by different owners because they don’t like girls, audience can feel the bitterness and sympathize with her.Indeed, girls like Doggie experience alienation and estrangement from society and its people, including the protagonist Wang. To further illuminate, we observe a sharp change in Wang’s attitude towards Doggie after he finds out that she doesn’t have â€Å"a little tea spout! † Since their encounter, Wang enjoys being called â€Å"grandpa†; however, he asks Doggie to call him â€Å"Boss† when he feels betrayed by her. The intimacy between them dissolves; instead, emotional alienation and detachment begin to emerge. Doggie’s status changes from a beloved grandson to whom Wang determines to inherit his skill to a servant who onl y does housekeeping.Also, the pitiless gender inequality contrasts strongly with the colorful and joyful settings like opera, firework, festival, and pipe-smoking ceremony. Aside from the pain that Chinese girls bear, King of Masks also reveals poverty, hardship, corruption, and darkness that Wang and Doggie experience in the world that they live in. The mist in opening scene and overall color tone of grey suggests that Wang is paddling into a world of dullness. With his houseboat- his only sanctuary- Wang travels around to make a living by performing Bianlian in return of donation from people who appreciate his art on the street.Desperation and poverty are not only accompanying people in the slave market but also Wang: his wife left him after the death of his son; his only companion is not a human but a monkey. Master Liang’s confession that â€Å" we all have our own sorrows† reflects the folk artists fate of twists and turns and bitterness. During one performance, W ang is intimidated and oppressed by soldiers, but he can only chant woefully â€Å"The dragon in the shallows is toyed with by the shrimp†. Many proverbs like this in the film convey to audiences his hardship and helplessness.Government corruption is also disclosed in the movie when Wang is falsely charged of all kidnap cases and imprisoned. In his quest for an heir, Wang visits Buddhist temple to pray and buys a Buddha to worship in the hope that it may gift him a son. All Wang’s spiritual sustenance is on the Buddha body. This showed Wang’s inner weakness and helplessness towards his own destiny. Nevertheless, out of the darkness in this world, we witness the goodness of human nature. When Master Liang invites Wang into his theater troupe, Wang excuses himself from joining. This shows that Wang is man of independence and principle.Besides, Wang scolds Doggie for stealing a bottle of wine, also showing his integrity. In the film, Master Liang is a popular opera star cherished by his followers; nevertheless, he upholds humbleness, and just like his stage name, Master Liang is indeed a â€Å"Living Buddha† with kindness and sympathy to Wang and Doggie throughout. It is also him who offers help and plays a key role in rescuing Wang out of prison. Even some insignificant character shows the goodness of human nature: the liquor dealer offers alcohol when Wang wounds; the prison guard allows Doggie to visit Wang.King of Mask also portrays the sentimental love between an unrelated grandpa and unwanted child. In their early encounter, Wang treats Doggie as a treasure by buying new clothes, performing BianLian to entertain her, and telling her that â€Å"this is all yours† during a meal. We can also feel the sorrow and anguish in Wang’s heart when he knows that Doggie is abused by her previous owners. Along with the soothing music, when Doggie first attempts to scratch Grandpa’s back, the goodness of relationship immedi ately manifested.At the same time, Wang shows his commitment to love as he throws his scratcher into water. In fact, their relationship develops not without some complications of the storyline. This initial intimacy between grandpa and grandson almost breaks when he feels betrayed by Doggie’s lying as a boy. Despite this, he jumps into the freezing water without hesitation to save Doggie and allows her to stay. While he trains Doggie of aerobics and Doggie does the housekeeping, he gradually learns that Doggie- without â€Å"a teapot spout†- is as competent as boys.However, as one film reviewer describes, â€Å"throughout, sadness permeates [Doggie]'s every move, a reminder that acrobatic flexibility means nothing to a child throughout, sadness permeates. † Indeed, what Doggie longs for is love and recognition. Throughout, Doggie wholeheartedly tries to please Wang. Even though there is some misunderstanding in place, she appreciates Wang’s love and carin g by bringing the boy TianCi for him. As for Wang, he also cannot hide his missing of Doggie. He runs out immediately searching for Doggie.When Wang is put into jail, Doggie is panicked and desperate, she begs for help by kneeling down in front of Master Liang’s house all night long. The film reaches its climax when Doggie ventures to sacrifice herself by performing an acrobatic feat that finally touched the heart of the military official. When Wang is condemned to death, Doggie comes to visit him in prison. In that scene, Wang and Doggie are physically separated by bars between them, but the camera moves closer to doggie as if death cannot separate them now.This is soon followed by a touching moment when Wang and Doggie cries and hugs each other. It is not surprising that King of Masks finish with happy ending in which Wang inherits BianLian to Doggie and they live happily after. Beyond the surface, King of Masks reveals both the dullness and the goodness of human nature. Th rough the interaction between characters, audience can truly appreciate Master Liang’s saying â€Å"the world is a cold place but we can bring warmth to it†. Last but not least, the film praises the sentimental love between Wang and Doggie that touches the heart of every audience.

The Ways in Which Toni Morrison Portrays Negative Representations of her Female Characters - Free Essay Example

Sample details Pages: 8 Words: 2480 Downloads: 2 Date added: 2017/06/26 Category Literature Essay Type Analytical essay Level High school Tags: Feminist Essay Did you like this example? To Explore the Ways in Which Toni Morrison Portrays Negative Representations of her Female Characters and How She Goes Further to Challenge These Representations in Relation to Black Feminist Thought Introduction Toni Morrison is considered to be one of the most popular and most important authors of the 20th Century, especially considering that much of her literary work has actively challenged the stereotypes that have been imposed on African American women throughout history. The characters in her novels are beautifully crafted in order to allow the reader to explore their journeys and the way in which they are presented, thus questioning the perspective of history that has been created. However, many of the stereotypes have undoubtedly stuck in the African American conscious and so it is necessary to initially perpetuate women in those images prior to examining exactly how to expel those stereotypes for good. Don’t waste time! Our writers will create an original "The Ways in Which Toni Morrison Portrays Negative Representations of her Female Characters" essay for you Create order According to Ghaly, â€Å"Rethinking the traditional perspectives on identity and its relation to culture, [Morrison] eschew binary logic to explore multiple forms and root causes of social marginality.† As such, with this in mind, this essay will examine the African American female self in its stereotypical form within Morrisons work and how it is constructed in relation to black feminist thought. This will be done with a view to concluding that Morrison undoubtedly goes some way to dispelling such negative representations and furthers the achievements of black feminism thought in the process. The book used for examination will be Sula (1973). Black Feminist Thought and Negative Stereotypes Patricia Hill Collins is one of the foremost scholars concerning the way in which African American women have been portrayed since the 19th Century, offering analysis as to how and why many black authors, intellectuals and prominent figures have been able to challenge stereotypes over the years. She stated that: â€Å"Black women intellectuals have laid a vital analytical foundation for a distinctive standpoint on self, community, and society and, in doing so, created a multifaceted, African-American womens intellectual tradition.† Collinss argument is indeed correct in that numerous authors have provided a firm analysis of the races female self through the eyes of the individual rather than the dominant white perspective. In highlighting this, Collins has also identified numerous themes, or â€Å"six distinguishing features that characterize Black feminist thought may provide the common ground that it so sorely needed both among African-American women, and between African American women and all others whose collective knowledge or thought has a single purpose.† Those six areas that provide common ground and thus a common feminine experience are work and family, controlling matriarchs, self-definition, sexual politics, love relationships, motherhood and activism. Although these six areas provide common ground and thus can also form a collective identity of African American womanhood, they also provide the foundation of negative representations. Dubey states that â€Å"the black writer must replace negative stereotypes with positive images.† However, the use of the term â€Å"replace† gives the impression that negative stereotypes should be ignored rather than examined and developed in order to expel them, ensuring that female characters are allowed to evolve into positive images. Conversely, Collins advocates empowerment via experience and consciousness and that implies exorcising negative representations by exploring them thoro ughly in order to humanise the black female experience. Morrison subscribes to this particular perspective, as her characters prove. However, it is necessary to explore the characters in Sula in order to assess whether or not she goes further to challenging representations in relation to black feminist thought or not. The Whore and the Good Wife Morrison offers two specific characterisations of the negative stereotypes that had traditionally been foisted on African American women – the whore and the good wife. The former is of course a means of describing Sula and the latter her â€Å"good† counterpart, Nel. The relationship between the two serves as one of the â€Å"black womens friendships† that Collins states are vital to expelling negative representations. However, before examining the relationship between the two, it is important to examine the stereotypes they present individually. Sula is the promiscuous black woman that steps neatly into the role of whore at first glance as a result of her attitude towards sex and thus womanhood:   â€Å"To Sula, sex is disconnected from emotion, a disembodied act of the body that allows her to feel a sorrow unattainable through any other means.† Although this highlights the aspect of the negative stereotype that suggests that black women are promiscuo us by nature, it also hints at a far deeper significance that the act itself adopts for Sula, thus challenging the traditional representation. This is reinforced in the description of her upbringing that is offered by Morrison. Her mother â€Å"taught Sula that sex was pleasant and frequent, but otherwise unremarkable.† As such, the stereotype presented by the character is effectively created by a maternal liberal attitude towards sex rather than it being an innate destructive quality that she was born with, as the traditional stereotype suggests. This directly challenges the stereotype by humanising the figure of the whore and thus also dispels the negativity associated with it, regardless of how taboo the subject of promiscuity may be. However, the stereotype of the whore, which Sula is designed to both embody and challenge within the book, is not only challenged via the use of the her back story but also via her attitude towards sex: â€Å"For Sula, sex becomes a means to assert herself and to defy social convention. She seduces her best friends husband and is accused of the worst degradation of all: sleeping with white men.† As Collins highlights, African American women were traditionally used by white men and objectified as a result. However, in the case of Sula the roles are reversed. She actively uses men to feel alive, to explore who she is and to form her own self-identity that does not depend on conforming to the social expectations that were imposed on African American women at that point in time. Sula is therefore not a whore but instead a woman simply searching for her place in the world, thus rendering her race incidental. Finding that sex put her â€Å"in a position of surrender, feeling her own abiding strength and   limitless power†, Sula explores her true self by rejecting the accepted boundaries of sex and forming her own expectations of life: â€Å"Single-handedly, she rejects the values of the margin to which she belongs, a margin that mirrors the centre in that it represses any stirrings of discontent.†Sulas discontent is tangible and thus renders the stereotype of the whore a societal construction that is designed to oppress rather than a viable label with which it is possible to brand her. Morrison therefore uses the themes established by Collins in order to examine the negative representation of the whore and pushes back the boundaries that had previously been imposed with little understanding of what drove the women perceived as promiscuous. Even though the entire community condemned Sula, including her best friend Nel, the judgement is subtly passed by Morrison on them for not embracing the collective conscious rather than Sula herself. The whore is not the only negative representation of the African American woman that black feminist thought has acknowledged and tried to dispel. The timid good wife who absolves her husband of all fault is another. The role is filled by Nel i n Sula: â€Å"Nel, Sulas complementary â€Å"other,† is presented as the prim and proper child who grows up to be a selfless wife and mother who unquestioningly conforms to the stereotypes of womanhood. She is everything   that Sula was supposed to become but did not and would not.† She is subordinate to Jude, her husband, keeps house, remains faithful and never goes against her man in any way. In essence, she releases her own identity in order to assume that of her husband, thus meaning that she has no identity and so cannot be said to be living her life on her own terms as Sula is. The two girls contrast greatly but Morrison ensures that they share one element of their lives – that their characters and thus representations are not inevitable but instilled. Just as Sulas promiscuity is encouraged, so is Nels role of the good wife: â€Å"Under Helenes hand   the girl became obedient and polite. Any enthusiasms that little Nel showed were calmed by the mothe r until she drove her daughters imagination underground.† She was forced to relinquish her identity and only ever retained it when around Sula, with whom she shares a sisterhood that Collins advocates as being essential in dispelling stereotypes. However, that sisterhood is negated by the conscience of the good wife: â€Å"And Nel creates a scapegoat in Sula to absolve Jude of deliberate acts of moral evil, marital infidelity and familial desertion, which destroy their marriage. Nel abnegates Judes potential for evil.†. The wife overtakes the sisterhood, thus subverting the notion of community once again. However, although the good wife stereotype is adhered to initially, Morrison later challenges it via a process of self realisation, self determination and the discovery of an autonomous identity. The realisation comes as Nel rejects the stereotype. Marriage is consistently perceived as damaging by Morrison. She states the following in relation to the institution and its effect on women like Nel, the good wife: â€Å"Those with husbands had folded themselves into starched coffins, their sides bursting with other peoples skinned dreams and bony regrets† In doing so, she highlights the importance of other elements of life through the eyes of Nel and Sula with particular emphasis on friendship. However, it is Sula who initially realises the value of friendship in black womanhood: â€Å"She had been looking all along for a friend, and it took her a while to discover that a lover was not a comrade and could never be – for a woman.† This is somewhat ironic given the fact that she threw that friendship away by sleeping with Nels husband. However, Sula dies without having been given Nels forgiveness. It is not until after her death that Nel realises the true nature of friendship between African American women, as per Collinss examination of black feminist thought and Morrisons will to push the women further in order to dispel stere otypes: â€Å"It is only after Sulas death and burial that Nel realizes that it has been Sula – not Jude – whom Nel has missed through the years.† In short, according to Morrison, it is the love of the sisterhood that is necessary to survive and nurture an identity instead of the institution of marriage. This undoubtedly rejects the stereotypes of the whore and the good wife because it negates the role of men in general, thus empowering women to forge their own destinies. This is undoubtedly an evolution of black feminist thought rather than in keeping with it. Conclusion In conclusion, Morrison uses her characterisations of Sula and Nel in order to thoroughly examine the viability of African American female stereotypes and effectively offers enough proof as to why they must be challenged and dispelled. They not only mask the true nature of what it means to be a woman but also set her alone when in fact the collective conscious defies the imposition of any such stereotype. Collinss theory as to the nature of African American womanhood via black feminist thought provides an excellent foundation for understanding Morrisons work, but she goes above and beyond the values and factors offered by Collins in order to ensure that the novel undoubtedly goes some way to dispelling such negative representations and furthers the achievements of black feminism thought in the process. In Sula and Nel, the whore and the good wife are undoubtedly negated in favour of friendship, identity and true black womanhood. Bibliography Beaulieu, Elizabeth Ann, 2006. Writing African American Women: An Encyclopedia of Literature by and About Women of Color. Westport, CT: Greenwood Publishing Group. Collins, Patricia Hill, 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd Edition. London: Routledge. Davis, Anita Price, 1998. Toni Morrisons Sula. Piscataway, NJ: Research Education Association. Dubey, Madhu, 1994. Black Women Novelists and the Nationalist Aesthetic. Indianapolis, IN: Indiana University Press. Eckard, Paula G., 2002. Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith. Columbia, MO: University of Missouri Press. Ghaly, Salwa, 2004. Evil Encounters with â€Å"Other† in Tayeb Salih and Toni Morrison: The Case of Mustafa Saeed and Sula Peace. In Richard Paul Hamilton Margaret Sonser Breen eds. The Thing of Darkness: Perspectives on Evil and Human Wickedness. Amsterdam: Rodopi, pp. 21-36. Jennings, La Vinia Delois, 2008. Toni M orrison and the Idea of Africa. Cambridge: Cambridge University Press. Morrison, Toni, 1987. Sula. New York: Penguin Books. Salwa Ghaly, 2004. Evil Encounters with â€Å"Other† in Tayeb Salih and Toni Morrison: The Case of Mustafa Saeed and Sula Peace. In Richard Paul Hamilton Margaret Sonser Breen eds. The Thing of Darkness: Perspectives on Evil and Human Wickedness. Amsterdam: Rodopi, pp. 21-36, p. 21. Patricia Hill Collins, 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd Edition. London: Routledge, pp. 2-3. Patricia Hill Collins, 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd Edition. London: Routledge, p. 22. Madhu Dubey, 1994. Black Women Novelists and the Nationalist Aesthetic. Indianapolis, IN: Indiana University Press, p. 94. Patricia Hill Collins, 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerme nt. 2nd Edition. London: Routledge, p. 103. Elizabeth Ann Beaulieu,   2006. Writing African American Women: An Encyclopedia of Literature by and About Women of Color. Westport, CT: Greenwood Publishing Group, p. 827. Toni Morrison, 1987. Sula. New York: Penguin Books, p. 44. Madhu Dubey, 1994. Black Women Novelists and the Nationalist Aesthetic. Indianapolis, IN: Indiana University Press, p. 91. Paula G. Eckard, 2002. Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith. Columbia, MO: University of Missouri Press, p. 56. Patricia Hill Collins, 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd Edition. London: Routledge, p. 135. Toni Morrison, 1987. Sula. New York: Penguin Books, p. 123. Salwa Ghaly, 2004. Evil Encounters with â€Å"Other† in Tayeb Salih and Toni Morrison: The Case of Mustafa Saeed and Sula Peace. In Richard Paul Hamilt on Margaret Sonser Breen eds. The Thing of Darkness: Perspectives on Evil and Human Wickedness. Amsterdam: Rodopi, pp. 21-36, p. 29. Toni Morrison, 1987. Sula. New York: Penguin Books, p. 120. Salwa Ghaly, 2004. Evil Encounters with â€Å"Other† in Tayeb Salih and Toni Morrison: The Case of Mustafa Saeed and Sula Peace. In Richard Paul Hamilton Margaret Sonser Breen eds. The Thing of Darkness: Perspectives on Evil and Human Wickedness. Amsterdam: Rodopi, pp. 21-36, p. 29. Toni Morrison, 1987. Sula. New York: Penguin Books, p. 18. Patricia Hill Collins, 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd Edition. London: Routledge, p. 191. La Vinia Delois Jennings, 2008. Toni Morrison and the Idea of Africa. Cambridge: Cambridge University Press, p. 51. Toni Morrison, 1987. Sula. New York: Penguin Books, p. 122. Toni Morrison, 1987. Sula. New York: Penguin Bo oks, p. 121. Anita Price Davis, 1998. Toni Morrisons Sula. Piscataway, NJ: Research Education Association, p. 9.

The McKinsey 7S Framework with respect to Tata Steel Free Essay Example, 2000 words

This paper illustrates that the McKinsey 7S Framework consists of seven frameworks, such as strategy, systems, structure, shared values, staff, style, and skills. All the seven factors have been discussed with respect to Tata Steel. In terms of strategy, Tata Steel has implemented knowledge management process in operation process. Therefore, the organization is concerned with the technological development and use of advanced information technology. But, some internal issues are affecting the strategy implementation process. In terms of structure, Tata steel has developed centralized hierarchical structure in order to take control of each and every organizational decision-making processes and other practices. In terms of system, poor employee engagement system may create the huge problem for system development process. In terms of shared values, self-centered orientation and high individuality can affect knowledge sharing and cultural diversity aspects. In terms of style, it is true that Tata Steel has developed autocratic leadership style as the employees are bound to maintain the hierarchical policies and regulations. In terms of staff, it is true that employees are highly capable. But, their high degree of individuality is affecting technological advancement and system development process. We will write a custom essay sample on The McKinsey 7S Framework with respect to Tata Steel or any topic specifically for you Only $17.96 $11.86/pageorder now In terms of skills, low-quality training process and limited numbers of development programmes are affecting the skill level of employees to enhance technological advancement in the workplace. It is clear from above McKinsey framework that some inadequate governance and monitoring of organizational leaders created difficulty for the organization to develop effective system development process. The effective system development process can be considered as one of the important and integral parts of the knowledge management process. In terms of capacity, the management of the organization did not host knowledge management programmes and development processes frequently. It affected the overall orientation process. Poor governance of leaders generally reduced the capacity management within the system development of KM process.

Poverty The Gulf Coast - 810 Words

Poverty can change how people act and the way that they live in society. Poverty can also stand for the experience someone may lose by living the same way as everyone else around them. Poverty can mean different things such as lack money and experience, but all types of poverty can limit what a person can do such as in the short stories â€Å"The Gulf Coast,† â€Å"The Louisiana Live Oak Society,† and â€Å"The Man Who Was Almost a Man.† The short story â€Å"The Gulf Coast† shows poverty by the lack of experience learned while living in a city that is tucked in, as compared to the gulf coast cities. Elizabeth Spencer writes â€Å" French and Spanish were here from the first, but Poles and Yugoslavs and Czechs had come long ago to work in the fishing industries, while the French traded and the Spanish built ships† (7). Spencer writes this about the gulf coast showing that there is diversity in the cities around the gulf coast because of the different types of people that call the coast home. The diversity that is in the cities that surround the gulf coast causes for the people to face many different experiences, but without the diversity in the main cities people are not exposed to the same opportunities Poverty is also shown in the ways of how social classes act around other classes such as in the short story â€Å"The Louisiana Live Oak Society.† Gus and Robert are the two main characters in the short story â€Å"The Louisiana Live Oak Society,† and each character lives in a different social class. GusShow MoreRelatedHurricane Katrina And Its Impact On The United States1592 Words   |  7 PagesLouisiana and New Orleans which were largely covered by floods. The incident that occurred in the city left so many homes submerged, families crying for help from the rooftops of the submerged flats. 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Short Story Characters The Bath and Good Morn Essay Example For Students

Short Story Characters The Bath and Good Morn Essay Short Story Characters The Bath and Good Morning WardrobeQuestion: With close reference to AT LEAST TWO short stories that you have studied, show how the author(s) have used the characters to present insights into the worlds the characters inhabit. Essay Answer:Social isolation in a societal world is an engaging theme explored by many short stories. Janet Frame has successfully done this in her story The Bath and Edith Campion has in Good Morning Wardrobe using similar techniques. The two authors explore social isolation by illustrating each main character through descriptive imagery, writing structure, and internal monologue. Firstly, the descriptive imagery that each writer uses successfully presents the main character of the story. Frames nameless old lady is presented as weakened with age and connotative imagery such as grass-yellow as old baths are reflect the characters age and contrast with the frost-white of new baths. This contrast between old and new presents to the reader how the lady is trapped in an aged body, like a cage, a bath or a coffin that is impossible to step out of, all while the rest of her society members continue on living free and happy lives. This technique of contrasting descriptive imagery is also seen in Good Morning Wardrobe where Mrs Crimptons long dress of beige and old-fashioned hat all contrast with the short skirts and solid colours of the modern society. Mrs Crimpton is referred to as the rare bird and a Spanish Galleon which both illustrate the way she stands out in the crowd. Descriptive imagery also gives the reader an insight into the way each character moves, as well as setting the atmosphere for the stories. In the Bath, the old ladys movements are slow and arduous and often she is frightened by this. Frame incorporates revealing comparisons, for example, the bath rim is like the edge of a cliff, which gives the reader an insight into the tense world that the old lady inhabits. Mrs Crimptons movements are portrayed as unsure which reflects her abandonment and her personality, causing the reader to sympathise with her, She teetered down the stairs, clinging to the banister-rail. Additionally, each writers story structure is important to reveal the different aspects of each main characters worlds. Each story has two parts, in The Bath the old lady begins the story in her home where her life is mute and tense and there is an element of fear portrayed by Frames language. It is as if this world is the old ladys personal reality, where life is something to fear and there is no stillness within her. The story then shifts to the cemetary where the old lady didnt want to go home but rather wishes to stay in the serene atmosphere of death which is a notion that seems pleasing to her, waiting for one momentto claim her forever. Similarly in Good morning Wardrobe, Mrs Crimptons life begins in her hostel where she is alone and inhabits her true reality which she does not like. She demanded the room to increase in size. However, when the setting of the story shifts to Mrs Crimptons visit to town, the reader is given an insight into the imaginary life that she has created for herself, Ive just had lunch with my husband The structure of the stories is essential to portray the differences between each characters personal worlds and their external world which are the results of social isolation. Lastly, internal monologue is used by both writers to get inside each characters mind. Such statements as No one will know Im in the bath and cant get out reveal a great deal about the tension that the old lady feels, and this is seen in Campions story several times when Mrs Crimpton judges herself and others, nicely dressed, but those short skirts were common. Internal monologue gives the readers a deepened understanding of the main characters of the stories and the worlds that they inhabit. .u4ad9a4037f5b0d2a497b295bda5facd7 , .u4ad9a4037f5b0d2a497b295bda5facd7 .postImageUrl , .u4ad9a4037f5b0d2a497b295bda5facd7 .centered-text-area { min-height: 80px; position: relative; } .u4ad9a4037f5b0d2a497b295bda5facd7 , .u4ad9a4037f5b0d2a497b295bda5facd7:hover , .u4ad9a4037f5b0d2a497b295bda5facd7:visited , .u4ad9a4037f5b0d2a497b295bda5facd7:active { border:0!important; } .u4ad9a4037f5b0d2a497b295bda5facd7 .clearfix:after { content: ""; display: table; clear: both; } .u4ad9a4037f5b0d2a497b295bda5facd7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4ad9a4037f5b0d2a497b295bda5facd7:active , .u4ad9a4037f5b0d2a497b295bda5facd7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4ad9a4037f5b0d2a497b295bda5facd7 .centered-text-area { width: 100%; position: relative ; } .u4ad9a4037f5b0d2a497b295bda5facd7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4ad9a4037f5b0d2a497b295bda5facd7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4ad9a4037f5b0d2a497b295bda5facd7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4ad9a4037f5b0d2a497b295bda5facd7:hover .ctaButton { background-color: #34495E!important; } .u4ad9a4037f5b0d2a497b295bda5facd7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4ad9a4037f5b0d2a497b295bda5facd7 .u4ad9a4037f5b0d2a497b295bda5facd7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4ad9a4037f5b0d2a497b295bda5facd7:after { content: ""; display: block; clear: both; } READ: Information Technology EssayBoth of the main characters in The Bath and Good Morning Wardrobe live on the edge of society, partially trapped by their own personal realities. These ideas about the characters and the worlds they live in are depicted through descriptive imagery, writing structure and internal monologue.

Properties of Human Language free essay sample

What properties differentiate human language from all other forms of signaling and what properties make it a unique type of communication system? There have been a number of attempts to determine the defining properties of human language and different lists of features can be found. The following is a slightly modified list of features proposed by the linguist Charles Hockett: 1. Arbitrariness. It is generally the case that there is no natural connection between a linguistic form and its meaning. For the majority of animal signals, however, there appears to be a clear connection between the conveyed message and the signal used o convey it. Arbitrariness of the symbols. Any symbol can be mapped onto any concept (or even onto one of the rules of the grammar). For instance, there is nothing about the Spanish word nada itself that forces Spanish speakers to use it to mean nothing. That is the meaning all Spanish speakers have memorized for that sound pattern. We will write a custom essay sample on Properties of Human Language or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page But for Croatian speakers nada means hope. 2. Productivity. This is the ability to produce and understand any number of messages that have never been expressed before and that may express novel ideas. In all animal communication systems, the number of signals is fixed. ( closed communication systems). PDF created with pdfFactory Pro trial version www. pdffactory. com 3. Cultural Transmission. The process whereby language is passed on from one generation to the next. While it is clear that humans are born with an innate predisposition to acquire language, it is clear that they are not born with the ability to produce utterances in a specific language, such asWhat properties differentiate human language from all other forms of signaling and what properties make it a unique type of communication system? There have been a number of attempts to determine the defining properties of human language and different lists f features can be found. Arbitrariness. It is generally the case that there is no natural connection between a linguistic form and its meaning. For the majority of animal signals, however, there appears to be a clear connection between the conveyed message and the signal used to convey it. Arbitrariness of the symbols. Any symbol can be mapped onto any concept (or even onto one of the rules of the grammar). For instance, there is nothing about the Spanish word nada itself that forces Spanish speakers to use it to mean nothing.